By Peter Tagg
You probably have a diverse selection of pottery and china collected because you like it, which is as good of a reason as any. However, as one becomes more serious and discerning about what these figurines and trinkets are, the more one needs to understand how and with what they are made. The subject of ceramic production is huge and if you need in depth knowledge then you should consult your local library or consult the online booksellers.
Pottery and china are words bandied about without really being aware of what they mean; for the collector it is necessary to understand the basics so he can know what he has or is buying. All ceramics are based on some form of clay found locally or imported. Earthenware is the basic clay based product fired at 1000°C to 1150ºC and is usually porous e.g. simple pots like flower pots. Stoneware is the basic clay fired at 1150ºC to 1400ºC and tends to be non-porous e.g. Royal Doulton jugs and pots Porcelain is make from kaolin clay (white in colour) or similar and fired at 1300ºC. This tends to be hard and brittle. There are soft paste and hard paste variants on this as well. Other variants include bone, hence bone china and porcelain and should not be confused with modern materials which are much more sophisticated.
All the potters worldwide made variations on these basic processes and there are hundreds of additives which changed the characteristics of the clay, Wedgwood developed Jasperware in the 18th century which is a stoneware with properties of porcelain still in production today. There are any number of glazes used to seal the body or decorate it. It is a very complex subject because every potter was trying to outdo his competitor and still is. Suffice it to say there are variations in these production methods, whether it is the huge mass producers or the small studio potter. All are collectible.
Deciding on what to collect may at first appear daunting, but if you consider your interests it is easy to narrow the field down to a few or even one area.
The first thing to do is to decide old or new? Then which century 18th, 19th, 20th or even 21st. Prior to the 18th century takes us into medieval, roman and earlier. Many will be classified as antiquities and is a fascinating subject in its own right. You must consult specialist books on this subject. There are many fakes.
You may decide to collect "Blue and White", popular and expensive, Carlton Ware still available at a reasonable price, Art Deco pieces or Staffordshire Figures which can be expensive, fairings - originally given away at fairs, animals by many manufacturers which vary in price depending on quality, advertising pieces, commemorative ware, crested china, decorative plates of which there are thousands (you can collect by theme or manufacturer) and any number of studio pottery pieces. There are many studio potters, some famous, others not so, some of which are easy to collect today since they have not entered the realm of desirable antiques.
Consult any book on collectibles and you will find many names new to you. Whatever you collect make sure you are well read on the subject. Only collect perfect or expertly restored pieces because damaged pieces are worth a fraction of the price of a perfect piece. This way you can avoid the many pitfalls in the collecting market.
http://petertagg.ws
Article Source: http://EzineArticles.com/?expert=Peter_Tagg
Showing posts with label pottery. Show all posts
Showing posts with label pottery. Show all posts
Wood Fired Ceramics
By Rubina Mushtaq
Archeologist reports that we can read about our ancestors just from their clay artifacts. In ancient era potters wheel were set into pits driven by kicked flywheels.
Modern ceramicist associate there work with the ancient pottery of the land. It's a controversial debate that would it be possible that would it be possible to keep the tradition of the land alive and give the historical and spiritual context to the modern art.
In the ancient tradition wood fired ceramics are considered more durable and of high aesthetic values. In Pakistan keeker wood is considered the best to use firing in Kiln. Scraps, veneers and fruit crates are also good for such firing.
In Korean tradition of wood-firing, which is of major importance to fire around the world, woo-fired pots considered spiritual. It is made of natural elements, earth, fire, wood (nature), air and human energy, so it is considered nearer to God.
Japan used apples & Hiba wood for firing in kiln. The firing cycles range from 2-5days & fired upto 1,250 centigrade or above.
The pyrotechnic ability of wood makes it a better choice then the other methods like gas or electric firing. Though wood firing is a lengthy procedure but is preferable. The evidence of ash deposits, the thermal shock, charcoal inclusions gives a rich look to the ceramic pots.
Potters have a symbiotic relationship with the nature. In the process of wood firing many pieces would lost, break but the left one gives a rare and quite beauty having a magical visual effects.
http://myartcreations.blogspot.com
Article Source: http://EzineArticles.com/?expert=Rubina_Mushtaq
Archeologist reports that we can read about our ancestors just from their clay artifacts. In ancient era potters wheel were set into pits driven by kicked flywheels.
Modern ceramicist associate there work with the ancient pottery of the land. It's a controversial debate that would it be possible that would it be possible to keep the tradition of the land alive and give the historical and spiritual context to the modern art.
In the ancient tradition wood fired ceramics are considered more durable and of high aesthetic values. In Pakistan keeker wood is considered the best to use firing in Kiln. Scraps, veneers and fruit crates are also good for such firing.
In Korean tradition of wood-firing, which is of major importance to fire around the world, woo-fired pots considered spiritual. It is made of natural elements, earth, fire, wood (nature), air and human energy, so it is considered nearer to God.
Japan used apples & Hiba wood for firing in kiln. The firing cycles range from 2-5days & fired upto 1,250 centigrade or above.
The pyrotechnic ability of wood makes it a better choice then the other methods like gas or electric firing. Though wood firing is a lengthy procedure but is preferable. The evidence of ash deposits, the thermal shock, charcoal inclusions gives a rich look to the ceramic pots.
Potters have a symbiotic relationship with the nature. In the process of wood firing many pieces would lost, break but the left one gives a rare and quite beauty having a magical visual effects.
http://myartcreations.blogspot.com
Article Source: http://EzineArticles.com/?expert=Rubina_Mushtaq
How to be a pottery artist
A pottery artist knows that there several steps to create the incredible articles with clay. Often, an artist puts the clay by a series of processes to the beautiful final product that you buy crafts or retailers.
The most fundamental tool that has a potter is their hands and clay. Beyond the history of pottery manufacturing, other plant were established to make the process more precise. During the early years of the creation of pottery, hands and clay were the only tools used. The items such as cups and basins were built disks, bullets and clay Rollings reorganized carefully by hand. Trails still use their hands to create the original artwork because they posed a greater control of clay.
Potters wheels have been developed more quickly to form uniform clay forms. It is easier to basins and identical items on a potter 'wheel S. a turntable, indicated under the name of the head of the wheel, and runs at various speeds. The clay should be discarded and put on the potter 's of the wheel, which is a very important skill of control. Once the clay is centered, it is open, flattened, called balanced and refine its shape. All these techniques take time to control. In addition, the creation of a potter 's of the wheel must have a very fundamental radial symmetry on a vertical.
Potters can decorate clay before the launch. By adding certain elements such as sand, creating final will be a unique texture and a drawing. Clay color can be employed or colors are added to create a model. Once the creations of pottery were made by hand or on a potter 's of the wheel, they are usually blocked for the protection and decoration. Potters consider temperatures and techniques to determine the most attractive glazing process. Some types of glass are made in the oven not to create textures very common.
The gloss is really made from the rock, dry rock and elements such as salt or sulfur. When the gloss is heated and cooled, it becomes hard and shiny. During the processes of the heating and cooling, develops some brilliant textures and appearance. Experience of pottery artists with these different processes to make one-of-a-kind creations.
The pottery is created when the shooting occurred and clay is heated. The creation of clay is placed in a brick oven heating to electricity, wood, coal or gas. The cooking is done to harden permanently pottery it is usable and sustainable. The temperature and duration of cooking how pottery is developed. The atmosphere furnace affects the total figures of the establishment of complete pottery. In earlier days, it is estimated that the pottery was set on fire in fires. Today, there are a number of ways to change temperature and synchronization of cooking to create various types of pottery including land, pottery and porcelain.
The most fundamental tool that has a potter is their hands and clay. Beyond the history of pottery manufacturing, other plant were established to make the process more precise. During the early years of the creation of pottery, hands and clay were the only tools used. The items such as cups and basins were built disks, bullets and clay Rollings reorganized carefully by hand. Trails still use their hands to create the original artwork because they posed a greater control of clay.
Potters wheels have been developed more quickly to form uniform clay forms. It is easier to basins and identical items on a potter 'wheel S. a turntable, indicated under the name of the head of the wheel, and runs at various speeds. The clay should be discarded and put on the potter 's of the wheel, which is a very important skill of control. Once the clay is centered, it is open, flattened, called balanced and refine its shape. All these techniques take time to control. In addition, the creation of a potter 's of the wheel must have a very fundamental radial symmetry on a vertical.
Potters can decorate clay before the launch. By adding certain elements such as sand, creating final will be a unique texture and a drawing. Clay color can be employed or colors are added to create a model. Once the creations of pottery were made by hand or on a potter 's of the wheel, they are usually blocked for the protection and decoration. Potters consider temperatures and techniques to determine the most attractive glazing process. Some types of glass are made in the oven not to create textures very common.
The gloss is really made from the rock, dry rock and elements such as salt or sulfur. When the gloss is heated and cooled, it becomes hard and shiny. During the processes of the heating and cooling, develops some brilliant textures and appearance. Experience of pottery artists with these different processes to make one-of-a-kind creations.
The pottery is created when the shooting occurred and clay is heated. The creation of clay is placed in a brick oven heating to electricity, wood, coal or gas. The cooking is done to harden permanently pottery it is usable and sustainable. The temperature and duration of cooking how pottery is developed. The atmosphere furnace affects the total figures of the establishment of complete pottery. In earlier days, it is estimated that the pottery was set on fire in fires. Today, there are a number of ways to change temperature and synchronization of cooking to create various types of pottery including land, pottery and porcelain.
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